Debussy's Hommage à Rameau sprouts a pair of hands and feet and paranoias
to drive her brother away with bottles of Estradiol and Risperidone.
While the smell of a termite colony catching fire drifts
through the crack below her death-latched bedroom door,
the frontispiece depicting auntie chloroform turns red and
Dark Green Herakles sails to the Pure Land on a stolen golden alms bowl.
(The original poem makes use of footnotes. I've tried to recreate this using hover text on each of the superscript numbers.)
A contract worker riding on the back of a yellow crane
doesn't become an immortal—Parmenides' life's work reduced to a foot1
Elizabeth Bishop's pet Man-Moth looks desperately for a way out,
not realizing the moon was only ever an image.2
Still, tourists visit this site, overlooking the hidden railways, north and south of the river, connecting3 Descartes & Foucault to4a headline:5
"Local Man6 Climbs to Top of Crane at Broadway/Wilson Development Site [and
and hearing the murmuring histories of gusts, a risk in an un7trained take-off, decides not to jump8.]"
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